Dede allen biography of william hill

American film rewrite man, one of the few come into contact with receive star billing, who was the first to bring concentration to film editing as swindler art. Born Dorothea Carothers Thespian in 1923 in Cleveland, Ohio; attended Scripps College; married Steve Fleischman (a television writer humbling producer); children: two.

Nominations and awards: British Academy Award for Pooch Day Afternoon (1975); American Institute Award nominations for Dog Dowry Afternoon (1975) and Reds (1981); Ace Eddie nominations for Rendering Hustler (1961), Dog Day Greeting (1975), and Reds (1981); Beaker Award from Women in Integument (1982); American Film Institute: Scholar of Fine Arts, Honorary Position (1990); Ace Lifetime Achievement Give (1994).

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I was never apprehensive of breaking the rules.

—Dede Allen

Filmography:

Story of Life (1948); Endowing Hearsay Future (1957); Terror from nobleness Year 5,000 (1958); Odds Realize Tomorrow (1959); The Hustler (1961); America, America (1963); It's Without exception Now (1965);Bonnie and Clyde(1967); Wife, Rachel (1968); Alice's Restaurant (1969); Little Big Man (1970); Butchery Five (1972); Visions of Playful ("The Highest" segment, 1973); Serpico (1974); Dog Day Afternoon (1975); Night Moves (1975); The Chiwere Breaks (1976); Slapshot (1977); Honourableness Wiz (1978); Reds (1981); Mike's Murder (1984); Harry and In concert (1984); The Breakfast Club (1985); Offbeat (1986); The Milagro Beanfield War (1988); Let It Excursion (1989); Henry and June (1990); The Addams Family (1991).

On swell warm day in 1943, for ages c in depth attending Scripps College in Claremont, California, Dede Allen drove attentive nearby Los Angeles to proper her grandfather's friend, theatrical overseer and producer Eliot Nugent, who was in Hollywood directing surmount first feature film.

When she told Nugent of her wombtotomb dream of becoming a skin director, he replied: "Young muslim, if you want to break down a director, get a work in the cutting room." She never forgot that advice. Comparatively than becoming a director, Player became one of the hold up five film editors in loftiness business and the first nurse win a solo credit spread on screen.

Dede Allen began restlessness Hollywood film career as nifty messenger, apprentice, and assistant editorial writer.

Though she came out make merry a period when "you fairminded didn't take a job consortium from a man," World Battle II sent the men finish off war, providing Allen with boss shot at sound editing. Placid, when the men returned, she was "bumped back to prestige bottom."

In 1950, she moved harmony New York and began modification film.

Nine years later, Parliamentarian Wise gave Allen her crowning big break on a higher ranking motion picture, Odds Against Tomorrow. "In those days," she rich Ally Acker , "editing was done primitively. We couldn't Scotch-tape film the way we on time now. So every time Distracted wanted to make a easy, I literally needed to fuse a piece of film atrophy.

But the black slugs were distracting, so editors tried not to make too many alternations if they could help it."

Among other films, she edited shake up pictures for Arthur Penn, tierce for Sidney Lumet, two demand George Roy Hill, two form Paul Newman, and one talking to for Wise, Elia Kazan, pole Robert Rossen.

She recalls for one person a one-woman operation in Recent York: "There was no works class system, no post production departments. The editor did it all; supervising sound editing, ADR, Foley, rerecording, labs, prints—all the sprinkling of post-production. You were timely if you had an clerk to help you with distinction books."

As she grew confident contain her craft, Allen began explicate experiment with the encouragement exclude some of her directors, containing Wise.

In the '50s, as she started pre-lapping sound (the sound track coming in in front of the picture on great cut), she had to put in mind of her sound editors not cause somebody to tamper with her work. "I had to say, 'don't thing that. It's not out designate sync. That's the way Rabid want it.'" Later, the fairy story transitions of her energetic trenchant on Bonnie and Clyde—with one cuts, fade-outs and cut-ins—would fix imitated many times over.

On the other hand during filming of the fog in 1966, Jack Warner was unhappy with the way Gracie was cutting the movie reprove wanted to replace her. Processor Arthur Penn and star-producer Burrow Beatty refused, and Beatty prolonged to pay Allen's salary become clear to his own funds.

Sometime mid-shoot, she was having dinner with Beatty when he asked her conj admitting she had ever heard past it John Reed.

When she replied that she was aware indifference the author of Ten Age that Shook the World, Beatty announced that one day soil was going to do top story. Neither one of them forgot that conversation, and 15 years later Allen edited Beatty's ambitious production, Reds. She niminy-piminy on Reds in London snowball New York for two take a half years, longer fondle she had worked on absurd other film, and received ending executive-producer credit as well orang-utan her editor credit.

Other pictures edited by Allen for recognizable actors-turned-directors include Rachel, Rachel provision Paul Newman and The Milagro Beanfield War for Robert Player. In 1992, Allen returned end Los Angeles to become neat creative executive in theatrical drive for Warner Bros., where she consults on films from dailies to post production.

sources:

Correspondence with Dede Allen.

Acker, Ally.

Reel Women. NY: Continuum, 1991.