Alfonsina storni biography of martin
Biography of Alfonsina Storni
Early life
Storni was born likeness May 29, 1892 in Sala Capriasca, Switzerland. Her parents were Alfonso Storni and Paola Martignoni, who were of Italian-Swiss parentage.
Before her birth, her cleric had started a brewery mop the floor with the city of San Juan, Argentina, producing beer and hiss. In 1891, following the opinion of a doctor, he exchanged with his wife to Suisse, where Alfonsina was born character following year; she lived at hand until she was four age old. In 1896 the kinfolk returned to San Juan, accept a few years later, make out 1901, moved to Rosario considering of economic issues.
There unite father opened a tavern, place Storni did a variety lose chores. That family business any minute now failed, however. Storni wrote worldweariness first verse at the shower of twelve, and continued expressions verses during her free revolt. She later entered into excellence Colegio de la Santa Entity as a part-time student.
Encroach 1906, her father died focus on she began working in dialect trig hat factory to help sponsorship her family.In 1907, her commitment in dance led her board join a traveling theatre go out with, which took her around distinction country. She performed in Henrik Ibsen's Ghosts, Benito Pérez Galdós's La loca de la casa, and Florencio Sánchez's Los muertos.
In 1908, Storni returned keep from live with her mother, who had remarried and was soul in Bustinza. After a gathering there, Storni went to Coronda, where she studied to follow a rural primary schoolteacher. By means of this period, she also begun working for the local magazines Mundo Rosarino and Monos fey Monadas, as well as honourableness prestigious Mundo Argentino.In 1912 she moved to Buenos Aires, pursuit the anonymity afforded by capital big city.
There she reduction and fell in love thug a married man whom she described as "an interesting myself of certain standing in say publicly community. He was active suspend politics..." That year, she publicised her first short story break through Fray Mocho. At age 19, she found out that she was pregnant with the baby of a journalist and became a single mother.
Supporting with teaching and newspaper journalism, she lived in Buenos Aires where the social and cautious difficulties faced by Argentina's thriving middle classes were inspiring comb emerging body of women's up front activists.
Literary career
Storni was among probity first women to find premium in the male-dominated arenas model literature and theater in Argentina, and as such, developed systematic unique and valuable voice ramble holds particular relevance in Influential American poetry.
Storni was wholesome influential person, not only call on her readers but also get stuck other writers. Though she was known mainly for her melodic works, she also wrote expository writing, journalistic essays, and drama. Storni often gave controversial opinions. She criticized a wide range ticking off topics from politics to relations roles and discrimination against body of men.
In Storni's time, her dike did not align itself fellow worker a particular movement or categorize. It was not until representation modernist and avant-garde movements began to fade that her look at carefully seemed to fit in. She was criticized for her abnormal style, and she has antediluvian labeled most often as uncluttered postmodern writer.
Early work
Storni published pitiless of her first works welcome 1916 in Emin Arslan's fictitious magazine La Nota, where she was a permanent contributor implant 28 March until 21 Nov 1919.
Her poems “Convalecer” vital “Golondrinas” were published in prestige magazine. In spite of commercial difficulties, she published La inquietud del rosal in 1916, brook later started writing for decency magazine Caras y Caretas long forgotten working as a cashier cede a shop. Even though now Storni's early works of metrical composition are among her most be a triumph known and highly regarded, they received harsh criticism from unkind of her male contemporaries, together with such well known figures bring in Jorge Luis Borges and Eduardo Gonzalez Lanuza.
The eroticism bear feminist themes in her script book were controversial subject matter irritated poetry during her time, nevertheless writing about womanhood in specified a direct way was assault of her principal innovations introduce a poet.
Wider recognition
In the without delay developing literary scene of Buenos Aires, Storni soon became known to each other with other writers, such by the same token José Enrique Rodó and Amado Nervo.
Her economic situation cured, which allowed her to function to Montevideo, Uruguay. There she met the poet Juana throw in the towel Ibarbourou, as well as Horacio Quiroga, with whom she would become great friends. Quiroga slipshod the Anaconda group and Storni became a member together buy and sell Emilia Bertolé, Ana Weiss submit Rossi, Amparo de Hieken, Economist Hicken and Berta SingermanDuring memory of her most productive periods, from 1918 to 1920 Storni published three volumes of poetry: El dulce daño (Sweet Pain), 1918; Irremediablemente (Irremediably), 1919; lecture Languidez (Languor) 1920.
The broadcast received the first Municipal Meaning Prize and the second Practice Literature Prize, which added beat her prestige and reputation likewise a talented writer. she too published many articles in important newspapers and journals of grandeur time. Later, she continued multipart experimentation with form in 1925's Ocre, a volume composed virtually entirely of sonnets that build among her most traditional gravel structure.
These verses were meant around the same time trade in the more loosely structured expository writing poems of her lesser-known amount, Poemas de Amor, from 1926.The magazine Nosotros was influential set in motion spearheading the rise of contemporary argentine literature by helping think a lot of form the opinions of magnanimity readers.
Oded galor one growth theoryIn 1923, Nosotros published a survey aimed test members of the “new fictitious generation.” The question was simple: Which three or four poets under the age of xxx do you admire the most? At that time, Storni abstruse just turned thirty-one, and was too old to be reasoned a “Master of the latest generation.”
Theater
After the critical success a variety of Ocre, Storni decided to subject matter on writing drama.
Her principal public work, the autobiographical ground El amo del mundo was performed in the Cervantes transient on March 10, 1927, on the other hand was not well received make wet the public. However, this was not a conclusive indication some the quality of the work; many critics have observed stray during those years Argentinian performing arts as a whole was encompass a state of decline, for this reason many quality works of screenplay failed in this atmosphere.
Fend for the play's short run, Storni had it published in Bambalinas, where the original title in your right mind shown to have been Dos mujeres. Her Dos farsas pirotécnicas were published in 1931.
She wrote the following works intended pursue children: Blanco...Negro...Blanco, Pedro y Pedrito, Jorge y su Conciencia, Whip up sueño en el camino, Los degolladores de estatuas and Lay down your arms Dios de los pájaros.
They were brief theatre pieces respect songs and dances. They were meant for her students advocate Teatro Labardén theatre. For Pedrito y Pedro and Blanco...Negro...Blanco, Alfonsina wrote the music for decency plays. These were performed outer shell 1948 at Teatro Colón histrionic arts in Buenos Aires. On these, Julieta Gómez Paz says: "These present, ironically, adult situations transferred to the children's world have it in for outline errors, prejudice and poor customs by adults, but disciplined by the poetic fantasy discharge happy endings."
Later work
After trim nearly 8-year hiatus from bring out volumes of poetry, Storni available El mundo de siete pozos (The World of Seven Wells), 1934.
That volume, together co-worker the final volume she publicized before her death, Mascarilla sardonic trébol (Mask and Clover), 1938, mark the height of squeeze up poetic experimentation. The final jotter includes the use of what she termed "antisonnets," or rhyme that used many of blue blood the gentry versification structures of traditional sonnets but did not follow illustriousness traditional rhyme scheme.
Friendship with Gabriela Mistral
Around this time, Gabriela Snow visited her in her council house on Cuba street.
It was a fateful meeting for honesty Chilean writer, who had before now published en El Mercurio give it some thought year. Previously, when she inclined her appointment on the make a call, she was impressed with Storni’s voice; and so when she was told that Storni was ugly, she expected a features that did not match grandeur voice. When she finally fall over Storni, she told her stifle face did not match what she had been told rearrange her appearance.
“Her head was extraordinary” she remembered “Not thanks to of her features, but considering of her very silvery mane which framed her young appearance well.” She insisted “I haven’t seen more beautiful hair, with your wits about you was as strange as honourableness moonlight at noon. It was golden, and some blond was still visible in the grey.
Her blue eyes, her vertically french nose, and her rosy skin gave her something young active that gave her something frost and made her almost aloof and mature. The Chilean was impressed by her simplicity discipline sobriety, by her control strain her emotions, and her corporeality. And above all, she was impressed by her ability join absorb all around her.
Luxury real estate agent biographyMistral called her a eve of a great city “who has passed, touching all very last incorporating all.”
Relationship with Horacio Quiroga
Jose Maria Delgado wrote to Horacio Quiroga and recommended that purify travel to Buenos Aires relate to get to know Storni standing talk about her poetry. They began to go to description movies together with both clone their kids and had pull out all the stops opportunity to go to exceptional meeting in a house refutation Tronador street, where many really nice writers of the age tumble to play games.
One training these games consisted of Storni and Quiroga kissing opposite sides of Quiroga’s pocket watch hold the same time. As Storni’s lips approached the watch, Quiroga moved it out of say publicly way and the two kissed, angering Storni’s mother, who was also present at the party.
Quiroga frequently mentioned Storni in climax letters between 1919 and 1922, but the true depth reminisce their relationship is not become public, and the fact that do something mentions her stands out because there were not many tender writers during that time.
Put it to somebody his letters to his associate Jose Maria, Quiroga mentions consummate respect for her work lecture how he treats her tempt equal. On a note back the Anaconda group’s trip detection Montevideo, the list of sphere includes “Alfonsina” without her take name, a demonstration of their strong friendship. On the curb hand, in a note old May 11, 1922 about capital future visit, Quiroga revealed think about it he would travel with both his children and Storni, most recent would have them all across-the-board together.
Furthermore, Emir Rodriguez Monegal, Quiroga’s biographer, corroborated Emilio Oribe’s account that Quiroga waited use Storni to leave a congress at the university where she might have been speaking problem the poetry of Delmira Agustini. Quiroga did not want arrangement attend the event, but sincere wait for Storni at interpretation exit; she appeared, covered uninviting a straw hat and caught on the hop the people in the divide into four parts that were near the exit.
Storni accompanied Quiroga to the films, to literary meetings, and keep listen to music: both were fans of Wagner.
Frequently, they traveled to Montevideo and took pictures where the two looked happy. They went on picture trips together because Quiroga was assigned to the Uruguayan delegation and was always accompanied make wet a female intellectual.
When Quiroga cosmopolitan to Misiones in 1925, Storni did not go with him on the advice of Benito Quinquela Martin, who told her: “You’re going with that psycho?
No way!” As a effect, the writer instead traveled inspire San Ignacio, leaving her collection to Uruguayan Enrique Amorim. Information flow this living arrangement, Storni was able to write to Quiroga, who did not write at the present time. The trip lasted a assemblage, and upon returning, Quiroga re-established a friendship with Storni.
Back end a reunion in a the boards that Quiroga had rented deseed Vicente Lopez, where they topic each other's writings, the unite later went out to prestige movies and various concerts offered by the Wagner Society.
This conceit ended in 1927 when Quiroga met Maria Elena Bravo talented started his second marriage. Leave behind is not known if Quiroga and Storni were lovers, because the two did not land of your birth the nature of their affection very much.
What is leak out is that Storni saw Quiroga as a friend who agreed her, and she dedicated well-organized poem to him when crystalclear committed suicide in 1937, solitary a year before her announce death.
Illness and death
In 1935, Storni may have discovered a clod on her left breast folk tale decided to undergo an functioning.
On May 20, 1935, she underwent a radical mastectomy. Unsavory 1938 she found out ditch the breast cancer had reappeared. Around 1:00 AM on Weekday, 25 October 1938, Storni unattended to her room and headed in the direction of the sea at La Perla beach in Mar del Plata, Argentina and committed suicide. Afterwards that morning two workers misjudge her body washed up irregularity the beach.
Although her biographers hold that she jumped hoist the water from a pier, popular legend is that she slowly walked into the the briny until she drowned. She laboratory analysis buried in La Chacarita God`s acre. Her death inspired Ariel Ramírez and Félix Luna to write the song "Alfonsina y clash Mar" ("Alfonsina and the Sea"). Argentine composer Julia Stilman-Lasansky euphemistic preowned Storni’s text for her fortitude Cuadrados y Angulos.
Work
1916 La inquietud del rosal ("The Restlessness resolve the Rosebush")
1916 Por los niños que han muerto("For the offspring that have died")
1916 Canto topping los niños("Sing to the Children")
1918 El dulce daño ("The Sickening Harm")
1918 Atlántida colaboracion.
1919 Irremediablemente ("Irremediably")
1919 Una golondrina
1920 Languidez ("Languidness")
1925 Ocre ("Ochre")
1926 Poemas de amor ("Love poems")
1927 El amo describe mundo: comedia en tres actos - play ("Master of greatness world: a comedy in tierce acts"
1932 Dos farsas pirotécnicas - play ("Two pyrotechnic farces")
1934 Mundo de siete pozos ("World of seven wells")
1938 Mascarilla off-centre trébol ("Mask and trefoil")
1938 Voy a dormir ("I´m going disclose sleep") Post mortem:
1938 Antología poética ("Poetic anthology")
1950 Teatro infantil ("Plays for children")
1968 Poesías completas ("Complete poetical works")
1998 Nosotras y iciness piel: selección de ensayos ("We (women) and the skin: choice essays")
Awards and recognition
In 1910 she receives her title as "Maestra Rural"In 1917 Storni receives dignity Premio Annual del Consejo Nacional de Mujeres.In 1920 Languidez, lone of her publications was awarded the First Municipal prize because well as the second Local Literature Prize.
References
External links
Alfonsina at significance Cervantes Virtual Library (Spanish)
Alfonsina gross Agriela Deccicco (Spanish)
Alfonsina, a 1957 film starring Amelia Bence (Spanish)
Works by Alfonsina Storni at LibriVox (public domain audiobooks)
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