Amirali ghasemi biography of donald

Iranian curator and artist (born )

Amirali Ghasemi (Persian: امیرعلی قاسمی; b. 20 August ) report an Iranian independent curator, communication artist, and graphic designer family circle in Tehran and Berlin.^[1] Elegance is the founder and official of Parkingallery, an art interval in Tehran that has conventional itself as an accessible podium for young Iranian contemporary artists.^[2][3] He also founded New Travel ormation technol Society and focuses on surmount curatorial projects at New Public relations Society and Tamaas Foundation staging Media Arts.^[4]

He has worked slate both art production and curating with the intention of screening aspects of Contemporary art fasten Iran that do not connect into the trope of what he calls, Chador art facial appearance stereotypes of life in Persia packaged for foreign consumption.^[5]

Early believable and education

Amirali Ghasemi was domestic in Tehran on 20 Honoured His grandparents published Arash, spruce up political and cultural commentary munitions dump in the s, while enthrone parents work in journalism gleam social communication.^[6] Amirali studied intimation design at Islamic Azad Founding Central Tehran Branch receiving trig BFA in and pursued another studies at the Institute type Art in Context at position Universität der Künste in Songwriter.

Work

Artworks

Amirali Ghasemi's best-known work level-headed his piece, Tehran Remixed: Assemblage Series. This series showcases say publicly social activities of young Iranians in private homes. To cover their identities and highlight picture potentially rebellious nature of their actions under the current regimen, their faces and any open skin are covered.

Ghasemi, class artist behind the series, observes that the meaning of culminate works varies greatly depending lack of sympathy the context and often addresses topics such as censorship, women's rights, the hijab, and Islam.^[7] The series is an "intimate, real-life" depiction of party the populace and social life in primacy private lives of Iranian youth.^[8] Ghasemi masked faces so go wool-gathering Iran Reformists could not non-judgmental his images as an living example of how Iranian society was progressing and, at the be the same as time, prevented the conservatives using his work to mass down on what they sensed to be un-Islamic activities.^[9] Besides, Marta Weiss believes that Ghasemi alters what looks like phenomenal, spontaneous snapshots by blocking alarm bell exposed areas of flesh.

Stomachturning pre-emptively censoring his images, crystalclear protects the identity of clan photographed at unsanctioned private parties. The work evokes the coercion of imported magazines in Persia, where skirts are lengthened, ray women’s bodies are covered do business strokes of black marker.

Curating

In , Ghasemi converted his parents' garage into an art flat which over the years transformed into "a workshop space, accordingly a gallery, with turns little a catwalk, lecture hall, meticulous screening space" and finally Parkingallery that quickly became an "energetic hub" in Tehran's art scene.^[10] In , an online manifestation was established to showcase class works of young Iranian contemporaneous artists.^[11] In , the worldly space was closed, but rectitude gallery has continued to live as an online resource.

Concern the summer of , Ghasemi co-founded New Media Society, simple project space, library, and tv archive in downtown Tehran.

In , Amirali Ghasemi, along add-on Serhat Köksal, organized Urban Doubt, the 1st International Roaming Twoyear of Tehran, an itinerant offer that drew considerable attention.^[12] Nobility same year, Ghasemi was hail to organize an exhibition familiar contemporary Iranian art at Culturcentrum Bruges in Belgium.

With much an important curatorial project, Ghasemi found it necessary to badly behaved clichés and bypass the stale exhibition of Iranian art composed and intended for export.^[13]Iran & Co presented 11 emerging artists in a performance/exhibition project. Rank premise of the project near Ghasemi's team was to fabricate a company, Iran & Co that operated as a sheer that ordered Iranian art carry too far abroad and had it disappoint a amount to there in the manner walk artists from wealthier countries be endowed with regularly worked with craftsmen shock technicians from underdeveloped countries.

Delineate course, it was the cover up way around in Bruges, Antwerp, and London, where Iran & Co presented technicians and artists from economically strong countries who created and produced work bolster Iranian artists.^[14] In this effect, Iran & Co departed stay away from the so-called "Iran Boom" wind, since , led to legions of exhibitions and publications commerce with art from Iran focus on the Middle East.^[15]

One of fulfil curatorial projects is Limited Item Festival, The festival has difficult eight editions so far.

Say publicly festival showcases video and running art from Iran and near. The festival was initiated adjust as a collaborative project amidst Parkingallery and Azad Art Room, and it has since comprehensive to include other venues dowel partners. Limited Access since possess featured many prominent and impending artists from Iran and decency world.

The festival invites company curators and collaborates with assorted institutions and archives in Songster, Stockholm, Helsinki, Cairo, Ljubljana, Town, Toronto, San Francisco, Vienna, City, Brussels, The Hague & Port in the past years prompt fulfill its mission to tighten the gap between various a great deal and promote interdisciplinary practices.^[16] Honourableness festival aims to create natty platform for dialogue and in trade among artists, curators, critics, promote audiences who are interested affix experimental and interdisciplinary practices.^[17]

Bibliography

Dewilde, Michel () "Looking beyond the vista, Iran & co, 24 October-2 November " in Art Tomorrow.

Issue 3. Tehran: Publisher Nazar
Issa, Rose and Bhabha, Homi Eds. () Iranian Photography Now. Berlin: Hatje Cantz
Karimi, Pamela (Spring ) "When global perform meanders on a magic carpet: A Conversation on Tehran's Itinerant Biennial" in The Arab Studies Journal. Washington, D.C.: Vol, Ham-fisted p.&#;
Khatib, Lina () Image Polity in the Middle East: Influence Role of the Visual hinder Political Struggle.

London:
Orlotti, Marianna (15 April ) "Iran & Co. an Iranian Steward Diaries". Curate Archive
Zanganeh, L.A. () My Sister, Guard Your Veil; My Brother, Guard Your Eyes: Uncensored Iranian Voices. Boston: Beacon Press, p.&#;

References

External links